Esteban Vicente, Black, White and Orange, 1962, Mixed media collage

Beverly Pepper, My Circle, 2008-2018, Cor-Ten steel, 86 x 92 x 58 1/2 inches

Julie Mehretu, Six Bardos: Last Breath, 2018, 4-color aquatint

Liza Lou, ingxube (Mkhomazi), 2015, woven glass beads, 65 1/2 x 65 1/2 x 1 1/4 inches

Donald Sultan, Mimosa with Red, 2021

Elger Esser, Capitola, 2008, Ultrachrome print, 43 1/4 x 56 1/2 inches

Florian Maier-Aichen, Untitled (Sunset #3), 2019, C-print

Pat Steir, Single E, 2015, Screenprint with handpainting, 75 1/2 x 39 3/4 inches

Interior by Monica Kahn Design

Sheila Hicks, Bas-relief panel for architectural project, 2015, Linen, 20 x 20 x 2 1/2 inches

Norman Bluhm, Millbrook Blues, 1976, Oil on canvas

Lisa Yuskavage, Violet Quilt, 2009, Oil on linen, 11 3/4 x 9 inches

Sharon Core, from the series 1606-1907, 2011, 17 1/2 x 15 inches

Angel Otero, Oh I Guess I Never Dreamed, 2011, Oil paint skins collaged on resin coated canvas, 36 x 24 x 2 1/2 inches

Vik Muniz, Montagne Sainte-Victoire, After Cezanne, 20 x 25 inches

Esteban Vicente, Early, 1995, Oil on canvas, 42 x 50 inches

Left: Miya Ando, Ephemeral Winter and Autumn Copper, 2014, Urethane and pigment on aluminum, 48 x 48 inches each

On table: Pae White, Companion (two pieces), 2015, Porcelain and gold glaze, dimensions variable

Right: Sara VanDerBeek, Variation V, 2014, Digital C-print, 20 x 15 1/2 inches

Richard Serra, T.E. Which Way Which Way?, 2000, 59 1/2 x 47 3/4 inches

Interior by Monica Kahn Design

Mel Bochner, Vulgar, 2007, Oil on velvet, 16 3/4 x 22 1/4 inches

Miya Ando, Ephemeral Winter, 2014, Urethane and pigment on aluminum, 48 x 48 inches

Interior by Messana O’Rorke

Trevor Paglen, Bloom (#7f595e), 2020, 54 x 40 1/2 inches

left and right: Lalla Essaydi, Bullets Revisited #30, diptych chromogenic print mounted to aluminum, 40 x 30 inches each

center: Marilyn Minter, Wet Kiss, 2014, C-print, 40 x 30 inches

Candida Hofer, Palazzo Ducale Mantova III, 2011, C-print, 70 3/4 x 66 1/2 inches

Robert Longo, Men in the Cities (Meryl and Jonathan), 1988, 72 x 36 inches each

Richard Misrach, Shorebreak Triptych #1, 2021, Pigment print mounted to dibond

Cleve Gray, White Elk, 1963, Oil on linen, 42 x 52 inches

Vik Muniz, Colored Tears 5S (18, 20, 21), Handmade, 2016, Mixed media, 46 x 78 inches

Sarah Morris, Hybrid Solar Eclipse (Rio), 2013, Household gloss paint on canvas, 84 1/4 x 84 1/4 inches

Bernard Frize, Sonpluie, 2013, Acrylic and resin on canvas, 51 3/8 x 51 3/8 inches

Claire Oswalt, Prose in Reverse, 2023, Acrylic on sewn canvas

Left: Patrick Wilson, The Meeting, 2012, Acrylic on canvas, 59 x 49 inches

Right: Mark Hagen, To Be Titled, 2014, Acrylic and iron oxide pigment through burlap over panel, titanium frame anodized with Diet Coke, 72 3/4 x 48 3/4 x 2 inches

Janaina Tschape, River Mountain, 2022, Oil and oil stick on canvas

Jason Martin, Eyre, 2014, Mixed media on aluminum, 23 x 22 1/2 x 4 3/4 inches

Donald Baechler, Blue Rose with Spoons, 2012, Gesso, flashe and paper collage on paper, 59 1/4 x 39 1/4 inches

Robert Indiana, Nine, 1980 - 2001, Polychrome aluminum on steel base, 78 x 74 x 38 inches

Callum Innes, Exposed Painting Dioxaine Violet, 2014, Oil on linen, 49 1/4 x 48 7/16 inches

Louise Nevelson, Morning Haze, 1978, White cast paper relief diptych, 33 x 46 inches

Jim Lambie, Nassau, 2017, Gloss paint on polished steel and aluminum, 24 x 24 x 8 inches

foreground: James Welling, 0472, 2017, Inkjet print, 33 3/4 x 50 1/2 inches

background: Patrick Wilson, Rock Garden, 2016, Acrylic on canvas, 59 x 49 inches

Robert Kushner, Violets (from Silk Road Paintings), 2007, Oil, acrylic, gold leaf, copper leaf on canvas, 36 x 84 inches

Above bed: Nicolas Baier, Production de Masse, A09, 2014, Acrylic on canvas, 42 x 51 inches

Rear wall: Reginaldo Pereira, The 160 cm closed in white (from the Measurement series), 2002/13, Canvas and wooden rulers, 8 x 39 1/4 inches